By 1935, production of the porcelain figurines was in full swing, immediately loved by the many. Sister Maria granted Goebel permission to use her drawings to create these collectibles with one caveat: all designs must receive a final approval from the convent before manufacturing. While his company typically produced porcelain dinnerware and beer steins, Franz saw an opportunity to expand business into the world of figurines after seeing Hummel’s charming work. Goebel Porzellanfabrik, first saw Sister Maria’s work in 1933 on a set of Christmas notecards. Luckily for collectors, these sweet cards led to Hummel’s drawings being depicted as ceramic figurines.įranz Goebel, owner of W. Initially her designs were included on greeting cards. These cheerful depictions became loved by many. Sister Maria created wholesome and charming drawings that featured school children with rosy cheeks as the primary subject. After her vows, she became known as Sister Maria Innocentia, and began her career as one of the most widely recognizable artists across the world. She made this goal a reality by joining the Convent of Siessen, a Francisican order with a focus on the religious perspective of the arts. Fresh out of art school in South Germany, Berta Hummel was a talented artist who wanted to spend her days combining her artistic talents and her religious beliefs.
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